Making a cage crinoline for your doll

For historical costumers, a cage crinoline is a necessity, but you may ask yourself what exactly that is. Modern lingo for this garment is “hoop skirt” which describes a skirt with hoops in it, typically made with plastic bands and sometimes flounced. But for the original cast, a cage crinoline was a modernization of the crinoline petticoat. A crinoline petticoat was a starched cotton underskirt, often times many layers were worn to achieve the desired bell shape to a skirt. In 1856, however, the cage crinoline was patented and allowed women to achieve the shape without all the heavy skirts! They were made with steel bands – not heavy ones – that were strong enough to carry the weight of one or two petticoats on top, plus the skirt of the dress being worn.

And of course, where fashion for people goes, so goes fashion for dolls. There are remaining doll-sized cage crinolines in private collections, and they are of course on a smaller scale and not as robust as human sized garments. They can be used to fill out a skirt for a doll, or simply for the fun of putting a hoop skirt on your dolly.

Looking at how the originals were constructed, I realized this is a simple project I could make and share the instructions here. My doll is an 18″ Yield House Meg doll, but you can adjust these measurements to fit your dolls.

Supplies

I found this trim that is 5/8″ wide, 95% cotton and reminds me of Petersham. It’s a nice woven, flat trim that will do nicely. I’m also using some aluminum jewelry wire here but you can use what is available to you. You want something that is malleable enough to bend into your shape but strong enough to hold the round hoop shape once completed. All told, I spent less than $10 on the supplies.

First you need to do some thinking and measuring. For a Yield House doll, the skirt is made from a 36” length of fabric. This results in a nicely full skirt similar to those worn in the 1860s. Consider how tall your doll is and how full her skirt is. You want the bottom hoop to be less than the full circumference of the outer skirt. I chose to make the bottom hoop 30” around. The top hoop should be wide enough to fit over the hips of your doll. Meg here needed 15” for decent clearance. For the middle bone I split the difference and made it 23”

Once you have your hoop circumferences, measure your wire to that length plus 2-3” overlap. Cut the wires and then twist the ends together.

Twist the ends together

Make all three hoops, then you can measure the tape to cover them exactly. Allow at least 1/2” on either end to turn the raw edges under. Beginning at the joint, fold the tape around the wire to encase it and then whipstitch it closed.

I used quilting thread but any type will do

Once you get to the end, tuck the end under and whip all the way around the joint.

Bring the folds together and stitch

Repeat on the second and third hoop until all three are covered. The next step will be to find the quarters on each hoop and place a small mark. This will ensure the vertical tapes will hang straight. these marks will be covered, don’t worry.

Mark the quarters

Determine the drop of your hoop skirt next. This is the length from the waist to where you want the lowest bone. I chose a 9 1/2” drop so the lowest bone would be near the tops of the doll’s boots. This is about where my life size hoops hang as well. Consider you need 1/2” on either end to tuck under – so add this onto the drop measurement. This gave me a 10 1/2” vertical tapes. Cut 4 of these. Don’t forget to measure the waist of your doll and cut a waistband to that length plus 1”.

The hoops should be equally spaced on your vertical tapes. Don’t forget that you will attach them at the top and the bottom. I measured and pinned the placement for the first and second hoop. The hoops attach at 3”, 6 1/2”, and 10” (the bottom).

Beginning with the lowest hoop, wrap the tape around so the raw edge will be enclosed. Stitch that in place. Repeat at all four quarters.

Enclose the raw edge

Moving to the middle bone, fold the tape over the hoop so you can stitch through the vertical tape, through the hoop covering under that, then out the vertical tape. You aren’t stitching behind the hoop wire, just catching the tape wrapping it. Repeat on all quarters and then move on to the top hoop.

Pin it into place until you stitch it

Once all the hoops are attached to the vertical tapes you are ready to attach the waistband. Turn the ends of the waistband under and stitch so the raw edges are inside. Remember, the waistband is the measure of your doll’s waist plus 1”.

Finished edges

Find the quarters of the waistband, place a small mark, then pin the tapes in place.

Stitch these in a square that will secure the tape and keep the raw edge inside. Once that has been done you can add a hook and eye or thread bar. You are done!

My doll happens to have a modesty petticoat under her new cage crinoline and then a fine starched cotton petticoat over it. I’m making a silk skirt for her next and this should do nicely to help it hold it’s shape.

All told I used less than the full amount of wire I purchased and less than a full spool of the white tape. Had I made the vertical tapes in white I might have used close to the full spool. I hope you found this little article helpful in demystifying the cage crinoline and will feel confident in trying one for yourself!

Supply List

5/8” Petersham or similar woven cotton flat trim (don’t use twill tape as it will ravel)

2 1/2 yards white

1/2 yard red (to make in all white add this to the length above)

Aluminum jewelry wire – 16 gauge – 72”

1 size 1 hook

Needle and thread to match

Ruler or tape measure

Nell’s 1866 Promenade Dress

When I was researching what to make for Nell, I came across a source for La Mode Illustree, a French fashion magazine popular through the 19th century. They frequently published doll costumes as a means for girls to learn dress making. While it took me some time to commit to one of the patterns, I have finally completed one.

Being as the magazine was written in French, I first had to translate the text. I’m not fluent but I have a very basic understanding of the language, and Google translate did the heavy lifting.

I decided to create a walking dress, or costume du promenade. It was described as being made from gray lindsay- a type of fine wool – with navy blue velvet trim. The original patterns were intended for a doll a bit larger than Nell, so I had to be careful to size it to her. I did not use wool because I don’t want to afford it for a doll, plus the majority of modern wool available at a big box retailer is a blend with a synthetic fiber to keep costs down and/or is heavier than I would need for a 12” doll. I substituted a nice cotton with a firm hand but fine weight.

Doll Sitting in Armchair

The source material includes the pattern page which has every pattern piece in the magazine all on two pages. The lines of each pattern were unique so you would find the dotted, dashed or starred lines, trace them and then make your garment. I followed this process, next having to print them and size them. I then proceeded to make a couple mock-ups of scrap to make sure it would fit Nell. It was quite an intensive process as I’m not completely knowledgeable in dressmaking. However, I persevered and eventually came up with a fit I liked.

As it turns out, these doll clothes were literally miniature dresses, made exactly how full sized garments were made. They were intended to teach little girls how to sew their own clothing, which makes a lot of sense. Just, the construction methods of the nineteenth century don’t always make sense to our modern thinking. Usually doll clothes fasten in the back and the front just simulates the intended look. Fortunately I have experience at making 1860s dresses so I knew what to do with the pieces. Also, there aren’t actually any construction notes, just the pattern pieces. So, the description of this was:

The doll is 48 centimeters tall, head not included. Her dress consists of a dress and a coat in gray lindsay. The overcoat, sleeveless, is retained by a belt. The skirt is 32 centimentres in length, 1 meter 50 centimentres wide; it is bordered with two bands in blue cotton velvet. Same trim for the sleeves and the collar of the bodice, whose figures 46 to 50 represent half. The belt clasps under a rosette. The overcoat is made from Figures 51 to 53; we put small pockets in it. The blue taffeta hat is made of stiff gauze, according to Figs. 54 and 55, furnished with archal thread, covered with taffeta, adorned with hives underneath, black lace on top.

La Mode Illustree, January 1, 1866

So here she is in her completed 1866 Promenade Costume. The dress includes a dogleg opening in the front, which requires careful attention to detail to ensure it stays centered. The bodice is darted as was appropriate in the era. While it shows 20 (count them all!) tiny, 5 mm buttons, they are nonfunctional and only for looks. This wasn’t unheard of in the 19th century either. I sewed on the buttons, which were squirrely to say the least, didn’t like how they looked, took them off and sewed them on again. I wound up sewing under the magnifying glass because they are tiiiiny. For reference, Nell is around 12″ – the height of a Barbie doll.

I haven’t attempted to make the hat because I have never made a hat and don’t know what to expect. But, at some point I will try it with scrap fabric. I do have some blue silk here that I have been dying to use for years.

The pattern pieces include letters in the various corners, which the person making them was expected to know meant that the two pieces with letters L and M, for instance, were to be sewn together between those two points. As I was making the third mock-up of the bodice, I started writing down the instructions. Not that I expect to share these with anyone, but it’s kind of fun to make a pattern with the sense that someone might sit down to sew your creation one day.

Since the dress is constructed exactly as an adult sized dress would have been, the knowledge of vintage clothing construction came in very handy! Perhaps one day I will convert this Promenade Dress to a dolly version that closes in the back, which would make it soooo much easier to reproduce. In its current form, it is an advanced intermediate skill level, but a dolly version would be just as pretty and much easier for less skilled hobbyists.

In the next post, I’ll dive into the construction of a cloth bodied China doll.

Dottie

This doll named Dottie was made for my sister as a Christmas gift. It’s my third making of the Little Cloth Girl pattern from Elizabeth Stewart Clark. Needless to say, I love this pattern.

You will notice an immediate difference in Dottie’s appearance from Emalie and Mernie, and that is her face & hair are embroidered. I’m not the best at embroidery (that’s my sister’s specialty), so I had to be very careful. I actually remade her face since I didn’t like the first attempt. All the embroidery is silk and I think it came out nicely. I also stitched in her fingers – not an easy task, plus she has jointed elbows and knees.

She again has the undergarments appropriate for a girl in the mid 1860s. I decided on this go-round that I would make a full wardrobe since she was a gift.

My daughter picked out this red fabric – which I just love. The dress is a darted bodice with sleeve caps.

The second dress is made from fabric my sister has picked out to make herself a dress – probably a wrapper. I thought it would be fun to surprise her, so I just asked for a 1/4 yard of any fabric. Now, once she makes up her dress, she will have a friend in a matching dress. How sweet! This dress is a gathered front yoked bodice. I really like how it turned out.

I made a quilted petticoat from flannel. While you can’t really see it, it has the same diamond pattern quilted in as Mernie’s.

The next piece I made was the basque coat. I used a sueded fabric to make it seem like wool or a heavier fabric. The trim is brown velvet and I love the nonfunctional buttons.

My favorite piece is the blue lightweight coat. Like I said earlier, I’m not much for embroidery, but I wanted this to look like it has braid, which was a common embellishment. The little button just finishes it off.

And just because I’m a glutton, I made a little handbag, a bonnet, a quilt that features all the fabrics used in the clothing, and a pillow. Oh, and inside that handbag are mini books I made. As an aside, I made another of these little bonnets for a Holiday Gift Exchange in the Historical Costuming For Dolls Facebook group. I’m not the only one obsessed with them!

I hope that you have enjoyed this tour of Dottie and her wardrobe. In the next post, I will showcase a costume made from a vintage fashion magazine.

Meet Nell

For someone who is a documented doll disliker, I have become fascinated by them. Not playing with dolls, or displaying them. And not all dolls; I like very specific styles of dolls designed in the mid-nineteenth century. Of course I can’t afford the real dolls – or, more accurately, I won’t afford them.

This doll, Nell, is a reproduction late 1860s-1870s cloth bodied doll. She has China head, hands and feet. I did not make her, but adopted her off eBay. She was designed by Tasha Tudor in 1977. I don’t know much about Tasha Tudor except to say she was an artist who loved dolls. In the 1970s there was a revival of these China head dolls sold as kits for home doll makers. Many brands offered the kits, and I don’t know how accurate they were.

Nell was poorly constructed – her legs are twisted and her arms are attached incorrectly as well as being rather fat. I could have remade her body, but I decided I love her as she is.

Sweet Nell came to me in a truly unattractive outfit. Remember she was made in the 70s. The dress was made from orange sprigged searsucker. Yikes.

Since I want to eventually use my dolls for teaching and display at history events, I could not leave her in this crazy outfit. From the muslin out, I redressed her. First came a new chemise and drawers from white cotton. I figured for a nicer doll I could have some fun with her corset and made her a corded corset with this beautiful brocade I had. Add a nice tucked petticoat and we are ready to keep going.

At some point after the first photos I remade her chemise. I never did like the first run at it. The new one is tucked to the neckband and lays much more smoothly. Unfortunately for Nell, it took me another several months to make her dress. I took a break to decide exactly what to make for her. Since she is later 1860s, I wasn’t limited to typical hoop skirt styles. While the basic bodice didn’t change too much after 1864, skirts and embellishments did.

I spent some time researching exactly what to make, delving into French fashion magazines and dreaming of the garments I would make her. And then I made a basic, almost boring, dress.

The fabric is cotton meant to mimic a patterned wool, which would commonly have been used. I modeled the dress off the amazingly versatile patterns from Liz Clark, modifying them to fit Nell. The skirt has box pleats at the waist, which were a more stylish method of attaching a skirt. It was a bit boring on its own so I added the pink ribbon bow and belt.

Next episode, look for the gift I created for my sister.

More Dolls

In all my spare time, I have made some more dolls. I never thought I would become so enthralled with dolls or their clothes, but 2020 was a year of sucki-ness, and I guess I actually did have some spare time. Anyway, I made a second doll from the Elizabeth Stewart Clark pattern.

This is Mernie. She has similar undergarments to Emalie, except I tried making a quilted petticoat. Since I had never even quilted before, this was quite a challenge for me. The pattern says to follow any quilting pattern. Well, I don’t know any quilting patterns, let alone an 1860s era pattern. So I made one up.

The pattern is really designed to hold the layers of fabric in place, I measured out the diamond pattern I wanted, adjusted, remeasured, then marked it out in chalk. I thought it would take forever. What I discovered was that quilting is kind of zen. I get in the zone and felt remarkably relaxed when I finished.

Mernie has a gathered front bodice with bishop sleeves. I like the gathered front, but let me just say that the cuffs of the bishop sleeve are insanely tiny. It was a challenge to finish them nicely – but one I felt up to completing.

I quite like Mernie. I feel I made improvements on my first attempt with this pattern.

Living in, and through, your remodel

Remember that TV show Trading Spaces? The one where friends overhauled each other’s living rooms, sometimes with amazing success? My husband and I loved that show, and were inspired at the time to think that we could take on the task of repainting our kitchen cabinets. The home we lived in had these really dark brown circa 1972 kitchen cabinets that were just oppressive.

We learned the hard way that there are professionals for a reason. Although DIY projects are fun, and lots of people are capable of tackling these kinds of projects and having great results, we are not in that group of people. Our cabinet repainting project was not an amazing success. At all. At our next house, we worked with professionals, and we learned that home upgrades, when done by someone who knows what they are doing, are not all that bad. We enjoyed seeing the progress every day. The changes we made helped us sell that house and buy the home we live in now.

Our current home was effectively the same as it was in 1959, with updated appliances and flooring. We are now approaching the end of a significant remodel of this house, and we have stayed in the house through the entire process, except for three weeks we spent in a hotel when we had to leave due to health and safety concerns – you know, like asbestos removal. We started the project in August 2016 with the outdoor demo. It is now June 2017 and we still have a couple months to go.

Many people cannot afford to do their project if they have to move out and rent an apartment or second home, so staying in their home during the work is a popular solution. Living through a renovation is a serious decision that you and your family must commit to so you don’t run into too much family conflict. Had we fully known what to expect, we might have done a few things differently, so I wanted to share some of my learnings to hopefully help you make the plunge into happy home renovation.

Here are my tips on how to prepare for living in – and through – your renovation.

  1. Plan to discuss every decision with your partner openly, and reach an agreement together before taking any action. If you don’t agree with each other, you have to find some way to come together in compromise so you can happily live in your home once the work is done. Communication is important in general so that you don’t harbor any resentments or negative feelings that may develop during the project. Your remodel is a huge step in home ownership and should be one of excitement, not lingering anger or annoyance.
  2. Decide what your style will be. Once we realized we liked and wanted to embrace the mid-century modern style of our home, everything was easy. When you have no idea what you want things to look like at the end of the project, there can be confusion about floors, walls, door styles, baseboard styles, cabinets, etc. You don’t want styles to clash or not work with the flow of the home. You may choose to work with a designer, and that can be helpful if you are uncertain about what coordinates, but be sure to interview potential designers to make sure they “get” your style and you. We also spent literally hours researching on the internet. Any minor thing we were unsure of we looked for pictures. How should the baseboards meet the kerf jambs? Look on Houzz. Should we use light or dark grout on the kitchen tile? Google it. Another resource is YouTube. There are literally thousands of videos that just show snapshots of a theme – if you want to see French country kitchens, retro diner inspired interiors, or homes made out of Airstream trailers, well you can.
  3. Pare down your belongings as much as possible. This one is a hard one for many people, but what is the point of doing a massive remodel or upgrade, just to fill it up with “stuff” once finished? I’m not saying you have to get rid of Grandma’s quilt or Uncle Fred’s baseball collection, but do have storage solutions for the things you are going to keep. I have a collection of family serving dishes so we built a china cabinet into the kitchen cabinets so it can all be displayed and used. Referring back to #2 above, if you are changing your style, there is no sense in keeping things that won’t mesh with it. You can get rid of your old dishes and buy all new once your home is finished if you like. More importantly, if you are planning to live in your home during your remodel, you don’t need your stuff 1.) in the way or 2.) getting damaged. Keep only what you absolutely need for day to day. If your project will last several months like ours, make sure you keep your winter clothes handy while you are packing in late summer, otherwise you will find yourself cold and shopping in December (not that I speak from personal experience, ahem.) Be prepared to continually pare down your stuff as the project progresses. Finally, if you are planning to store your stuff off site, carefully evaluate whether the cost of storing that single-use appliance or collection of soup ladles is worth keeping them. For us, the answer was frequently “no” and the people at Goodwill knew our car by the time we finished packing.
  4. Work with professionals. Unless you are a general contractor, most people don’t have the contacts in the industry to hire all the necessary trades, schedule all the different jobs, arrange for city or county inspections, and manage the overall process. A licensed, insured and bonded general contractor is worth every penny. They will spell out everything in a contract so you shouldn’t have have any questions, and if you do they should answer them all. They also know lots of people and companies in the building industry, and can tell you who to talk to, and guide you to brands they have good experiences with. Any additional personnel you hire should also be professionals – architects, designers, landscapers – and should be able and willing to work with your general contractor to move the project along toward completion. When the trades work against each other it only creates delays and headaches. Finally, if there is an issue during the project your general contractor should be your advocate to ensure you get what you want.
  5. Negotiate pricing wherever possible. We worked with a local appliance wholesaler who would price match. You bet we searched every item on sites like Amazon and Best Buy. When we were researching tile for the kitchen, we talked not only to the distributor our contractor likes, but several others, and we did shop them against each other. No shame here, this is a major investment. Get the best price you can without being cheap or rude. Remember that the people you talk to at the wholesale houses just work there. If the tile you like gets discontinued before you place your order, it’s not their fault so don’t scream at them. Don’t forget that you get what you pay for, so be educated on the differences between laminate, hardwood, vinyl, and tile, for instance. If you buy cheaper supplies, you may have to replace sooner than later.
  6. It will be much more dusty, dirty and inconvenient than you could imagine. We were fortunate to have two bathrooms and the ability to split our project into two parts so we would have a full working bathroom throughout the project. However, sharing a small bathroom with your whole family involves coordination and patience. Try to keep routines whenever possible (for kids in school, work schedules, etc) but be flexible with one another. Keep the spaces you use as tidy as possible. Cramming your whole family into one bedroom can get crowded, and clutter will just make Mom and Dad irritated, leading to yelling and crying – no fun for anyone. There is very little privacy. Consign yourself to wearing slippers and/or shoes all the time – if you are like me and like bare feet, this is no fun at first but there will be nails, screws and splinters dropped on the floor. Drywall dust is pervasive and you will find it everywhere, even in the rooms you don’t touch. If your kitchen is being redone, consider setting up a place in your house for a toaster oven, microwave and coffee maker. This will be your kitchenette for the duration, and will help keep you more healthy than if you eat out every meal. Don’t forget that you will be washing dishes in your bathroom sink. If you enjoy wine, don’t be afraid to drink it.
  7. Accept that there will be delays and things may take longer than you expect. There will inevitably be delays. Things happen and there will be situations that are out of your control. We had a window get delivered in CO instead of CA and the extra shipping broke it. Getting a new custom built window delayed us almost a month. This is no one’s fault. The installation of flooring is precision work and should be done with care and attention to detail. If your contractor budgets 2 days to tile a 2000 square foot house, something is not right there. Some days we could hear the workers hammering but had no idea what they had done all day. While demo, framing and drywall are very visual and seem to go really fast, the detail work is slow but just as important.
  8. Draw a line in the sand on change orders. As you install wiring for a wall-mounted TV, you may be tempted to install wiring in every room in the house. If you did not include it in the original project, this is a change order, and change orders are what send well planned projects over budget. The new kitchen cabinets may make the unchanging bathrooms look shabby. If you paint the walls but keep the existing floors, the floors might start to look dingy. Prepare for changes during the project but agree upon a point where there will be no more changes. This will save you money and heartache in the long run.
  9. Be prepared to cut things from your project. This can be necessary if there is hidden damage exposed when drywall comes down, or previous work on your house isn’t up to code. Having a set amount of money is a blessing and a curse at times. You only have so much, so you need to prioritize how you spend that money. When it came down to it, we chose to replace large plate glass windows with safer tempered glass and we cut into our A/V spending. Health and safety come over in-wall speakers.
  10. Get to know your crew. We have developed a healthy respect for the various trades and the people who perform this work for us. Living and working here, we see them every day. Not too many people ever think about what goes into building or remodeling a home, but it is the largest purchase most of us will ever make. Know the people who are helping to make your house into your dream home. Not only will you appreciate their workmanship, they will want to do the very best job they can for you.

BONUS ITEM – Take tons of pictures. Of course, you will take pictures! Take more than you think you will need. We have saved ourselves some pain long after the fact because we took pictures during the framing, plumbing, electrical, and every other stage. Once that drywall is up, you might not remember where the sheer wall ends, where exactly those pipes were set, or where the electrical wires wind through a stud. A photo can give you and your team a better idea when they have to make adjustments. If your camera can do a panorama view, take a few of those from the same location throughout the project. It is fun to see how that space changes over the months. We used a time lapse camera for some parts of the project, such as framing, drywall installation and flooring. It really works best in a large space. We also did monthly video recordings updating what had happened in the previous month. These will be fun for us to review in the future.

I hope that these tips help you as you prepare for your remodel. Make it as enjoyable as you can so that once the project is concluded, you will have many happy memories of it coming together. For some fun, check out my Instagram feed for pictures of stucco going on, custom cabinets getting installed and more.

Girl Scout SWAPS Ideas, Tips, How-To

My girls are progressing on through Girl Scouting and are finishing their first year as Juniors. We have camped a few times, and girls are always encouraged to trade SWAPS with other Scouts. What are SWAPS?

Special Whatchamacallit Affectionately Pinned Somewhere

When I was a girl we called it a potlatch. It is the same basic thing – a doo dad you trade with another scout. It can be simple or elaborate. It can represent your troop or the event you are attending. SWAPS need not be difficult to make and they do not need to last forever. Some girls collect their SWAPS on a jacket, hat or banner. There are museums with tremendous collections of SWAPS that include items from all over the world. It is a little reminder of the fun event they attended, in addition to any patches or other keepsakes, and they are completely optional. The younger your girls are, the easier to make the SWAPS should be.

For a recent trip, the girls could not decide on one SWAP idea, so we gave them the option to make up to three different ones. Can I just recommend for all leaders out there considering this, it can create drama so think carefully about your group before making this an option for your troop. If Suzie wants to make 10 rainbow clouds but there’s only enough supplies to make 5 per girl, there may need to be some negotiation and conflict management happening.

There is a thriving industry out there of Etsy shops and the like selling kits for making SWAPS. You can do what works for your troop. We just decided to brainstorm and create our own – parents donated the materials. What have we made, you ask? Rainbow Clouds, Troop Crests, S’mores and Unicorns. Following are some quick How-to’s on these. Click any picture for a larger image. I’m not an artist, but I was able to free hand all of these shapes because I like easy SWAPS. Each item should be around 2″ diameter or smaller when finished, for ease of portability and collection.

All supplies were purchased at a chain craft store. Patterns to trace were made out of a manila folder.

Rainbow Clouds

Supplies

8.5×11 sheets of white felt or fun foam

1/4″ ribbon in rainbow colors, cut into 1″ snips

Craft glue

Safety pins

Marker

These were cute and very easy to make, except for the cutting out part. I ended up cutting out all the clouds and rainbow snips. Depending on your Scouts’ ages, they may be able to do that part. Trace the pattern onto white felt or fun foam. You can get 20 on an 8.5×11 sheet. Cut the ribbon into 1″ snips. I used little cups to catch them so they didn’t scatter everywhere.

Use craft glue to attach the rainbow ribbon snips to the back of the cloud. Allow to dry, turn over. Then using a Sharpie marker or similar, write in your troop number and/or whatever else you want. Attach safety pin. Total assembly time is about 10 minutes including glue drying time.

PS these would be cute for a bridging activity!

Troop Crests

Supplies

Green fun foam

Craft paper in red and light yellow

Flower punch

Craft glue

Safety pins

Marker

These took about the same amount of time to assemble but much longer to prep. This particular crest is the Hawaiian Lei. You will need a paper punch to make the flowers, they are about $5 at your local craft store. Again, I did all the cutting and punching but you can adapt to your troop.

Trace the crest shape onto the fun foam. You can get more than 20 per 8.5×11 sheet if you space them well. Punch the flowers from the red and yellow papers. I punched them into a little cup to keep them from scattering. Also, you can space the punches so as to maximize the number of flowers you get per sheet of paper. I worked it out so I could get 17 flowers on the 11″ side of the paper and was able to make 7 rows.

Using craft glue, glue alternating flowers in a circle. You will need 3 of each color. Once dry, write your troop number above the lei, and add the safety pin. Maximum assembly time was 10 minutes, but really closer to 5 for the faster girls.

S’mores

Supplies

Fun foam or felt in light brown, dark brown and white

Craft glue

Safety pins

Markers

These are a popular one and super easy! Plus the cutting is mostly in straight lines so might be easier for younger girls. Cut out the light brown squares as 2″ squares. Cut out the dark brown squares as 1.5″ squares. Cut out the white circles as 1.5″ or so circles.

Glue two light brown squares, one dark brown and one white circle. Use a marker to draw on the little dots you see on graham crackers. On one side, write on your troop number and whatever else. Add the safety pin. We found that glue on fun foam took much longer to dry than on felt, so use it sparingly.

Unicorns

Supplies

White felt or fun foam

1/4″ ribbon in rainbow colors, cut into 1″ snips

Sequins/crystals/googly eyes

Markers

Safety pins

Craft glue

Did you notice that the Rainbow Clouds and Unicorns have almost the same supply list? Haha that’s because I had enough left from the Rainbow Clouds to make another SWAP! Use resources wisely, right?

Trace the unicorn shape onto the felt. You can get 20 on a sheet of 8.5×11 when they are spaced tightly. These ones are a pain to cut so if YOU are doing the cutting, give yourself a few days to make a lot. I ended up procrastinating and trying to cut out 100 before the meeting and the hand cramp was wicked.

Glue the ribbon snips on one side of the unicorn shape and let dry. Turn over, then draw on the “twist” of the horn and a mouth. Our girls also filled in the ears with pink, some added bows, smiling mouths, etc. Write the troop name at the bottom of the neck. Next, glue on the eye. My coleader found a ton of crystals at a garage sale, but you can use pretty much anything cute here and don’t have to break the bank. Add the safety pin and you are done. Total assembly time was longer, maybe 15 minutes because of the ribbons being on the back of the shape and needing the glue to dry before turning over for the rest of the face.

Dancing Queen

2016 Recital 4

Thank you once again to Impact Dance Center in Los Alamitos for an amazing recital! Melody performed in three dances – I’ve Got the Sun in the Morning, Pink Cadillac, and Space Cowboy.  Her love of tap dancing hasn’t ebbed at all, and we look forward to more tap and jazz lessons in the 2016-2017 season.

2016 Recital 6 W 2016 Recital 1 2016 Recital 5

Fairies

Melody continues to be fascinated by fairies and fairy gardens. Our outdoor garden is going to be demolished this spring due to some construction we are planning (both yay and boo), so this past weekend she picked up all her various fairies, houses, bunnies, benches, etc. But not to fear! We stopped by M&M Nursery in Orange for some nice indoor plants and moved the fairies inside!

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Fairy magic

You can see in this overview shot that Melody selected a palm, an African violet, some pink leafy things and a small evergreen (?) thing. I am not exactly the right person for naming plants, haha, but I can assure you that these were all recommended as able to thrive indoors. There’s a lot of detail in this garden, so let’s zoom in.

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Details, details

From the right side you can see the pink leafy things a bit better, the kitty keeping watch by the front door of the house, and the mailbox just waiting for a note. The pink fairy is holding a picnic basket. Is she heading out to meet a friend? There is a beehive on the far side so the violets will be well pollinated, and beyond that a small fairy boy swings over the side of the planter. The pebble path has captured some of the sparkly jewels that fall from the fairies when they fly past.

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A hidden garden in the miniature garden

True to their natures, these bunnies got into the vegetable patch, but Mr Dog spied them and they are scurrying away!

The captivating thing about fairy gardens is that the imagination can do so much with these tiny figures. As she created this vignette, I was thinking back to a mermaid garden I imagined and I wonder if I will be able to create that at some point. Melody has two books on fairy gardening, but there are many on the market with hundreds of clever bits and bobs to display along side your plants. If you ever find yourself in Orange, stop by M&M Nursery on Tustin Ave. They have many beautiful fairy gardens that are thriving, magical and oh, so creative! If you don’t live locally, you can shop their online store too.

Girl Scouts: Money Management Game

Our troop has grown a little this year and we have several new members who have not sold Girl Scout Cookies before. They are excited and so enthusiastic! It has really inspired some of our continuing members to step up their game and try harder to achieve their goals.

As a leader, it isn’t always easy to teach or lead the girls to cookie sales success. Especially for Brownies, they are still in the realm of needing to be lead to their goals to some degree. They are not always good at math. They don’t always grasp what Cookie Share is or does. They sometimes forget that we raise money for fun AND to give back to others. For our first meeting covering cookies, I made them a poster to help with some of the information they need to remember. We plan to use this at our booth sales and show a bar chart of our troop goal achievement.

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For our second meeting, I wanted to be sure they knew their math and money management. It’s easy to get confused when giving out change or having to count money, so while a parent would be helping during individual or booth sales, it is important for the girls to know this information. Fortunately for us, cookies are priced at a good multiplication factor – $5 per package. I found a game online that I adapted for the girls.

Money DiceCookie Game 1

Each of these images was printed on card stock paper, then cut out and taped together to make a 2″ square die. For our troop we focused on the cookie die. I also provided play money for each girl consisting of 2 5s, 2 10s, and 1 20. Here’s how the game worked:

  • Each girl gets an envelope of play money with $50 in it
  • Girls pair up by two and each pair gets one die
  • One girl plays a customer, the other girl plays a Girl Scout, and they switch back and forth
  • The customer rolls the die which will tell her how many of which variety of cookies she will purchase. The Girl Scout will tell the customer how much she owes. The customer pays the Girl Scout
  • Switch sides and the second girl plays the customer while the first girl plays the Girl Scout. Repeat the rolling of the die as above
  • Continue until one of the girls has earned all the money, or one girl does not have enough money to pay for the cookies on her roll. Money can be intermingled in the girl’s envelopes
  • The girl with the most money wins

We played this as a tournament – we had five pairs of girls, then the winners played each other. The girls loved the dice and so they were given out as prizes at the end of the meeting along with the play money. The girls learned visual recognition of the cookie varieties as well as reinforced their knowledge of common pricing in a selling situation.

The game can be expanded for older girls to use more money and to keep track of the number and type of cookies “sold” during the game. I feel really good about this game! Feel free to download the images and use them yourself. I didn’t make up the game, but I did adapt what I found online into something my girls could work with, you can too!