Dottie

This doll named Dottie was made for my sister as a Christmas gift. It’s my third making of the Little Cloth Girl pattern from Elizabeth Stewart Clark. Needless to say, I love this pattern.

You will notice an immediate difference in Dottie’s appearance from Emalie and Mernie, and that is her face & hair are embroidered. I’m not the best at embroidery (that’s my sister’s specialty), so I had to be very careful. I actually remade her face since I didn’t like the first attempt. All the embroidery is silk and I think it came out nicely. I also stitched in her fingers – not an easy task, plus she has jointed elbows and knees.

She again has the undergarments appropriate for a girl in the mid 1860s. I decided on this go-round that I would make a full wardrobe since she was a gift.

My daughter picked out this red fabric – which I just love. The dress is a darted bodice with sleeve caps.

The second dress is made from fabric my sister has picked out to make herself a dress – probably a wrapper. I thought it would be fun to surprise her, so I just asked for a 1/4 yard of any fabric. Now, once she makes up her dress, she will have a friend in a matching dress. How sweet! This dress is a gathered front yoked bodice. I really like how it turned out.

I made a quilted petticoat from flannel. While you can’t really see it, it has the same diamond pattern quilted in as Mernie’s.

The next piece I made was the basque coat. I used a sueded fabric to make it seem like wool or a heavier fabric. The trim is brown velvet and I love the nonfunctional buttons.

My favorite piece is the blue lightweight coat. Like I said earlier, I’m not much for embroidery, but I wanted this to look like it has braid, which was a common embellishment. The little button just finishes it off.

And just because I’m a glutton, I made a little handbag, a bonnet, a quilt that features all the fabrics used in the clothing, and a pillow. Oh, and inside that handbag are mini books I made. As an aside, I made another of these little bonnets for a Holiday Gift Exchange in the Historical Costuming For Dolls Facebook group. I’m not the only one obsessed with them!

I hope that you have enjoyed this tour of Dottie and her wardrobe. In the next post, I will showcase a costume made from a vintage fashion magazine.

Meet Nell

For someone who is a documented doll disliker, I have become fascinated by them. Not playing with dolls, or displaying them. And not all dolls; I like very specific styles of dolls designed in the mid-nineteenth century. Of course I can’t afford the real dolls – or, more accurately, I won’t afford them.

This doll, Nell, is a reproduction late 1860s-1870s cloth bodied doll. She has China head, hands and feet. I did not make her, but adopted her off eBay. She was designed by Tasha Tudor in 1977. I don’t know much about Tasha Tudor except to say she was an artist who loved dolls. In the 1970s there was a revival of these China head dolls sold as kits for home doll makers. Many brands offered the kits, and I don’t know how accurate they were.

Nell was poorly constructed – her legs are twisted and her arms are attached incorrectly as well as being rather fat. I could have remade her body, but I decided I love her as she is.

Sweet Nell came to me in a truly unattractive outfit. Remember she was made in the 70s. The dress was made from orange sprigged searsucker. Yikes.

Since I want to eventually use my dolls for teaching and display at history events, I could not leave her in this crazy outfit. From the muslin out, I redressed her. First came a new chemise and drawers from white cotton. I figured for a nicer doll I could have some fun with her corset and made her a corded corset with this beautiful brocade I had. Add a nice tucked petticoat and we are ready to keep going.

At some point after the first photos I remade her chemise. I never did like the first run at it. The new one is tucked to the neckband and lays much more smoothly. Unfortunately for Nell, it took me another several months to make her dress. I took a break to decide exactly what to make for her. Since she is later 1860s, I wasn’t limited to typical hoop skirt styles. While the basic bodice didn’t change too much after 1864, skirts and embellishments did.

I spent some time researching exactly what to make, delving into French fashion magazines and dreaming of the garments I would make her. And then I made a basic, almost boring, dress.

The fabric is cotton meant to mimic a patterned wool, which would commonly have been used. I modeled the dress off the amazingly versatile patterns from Liz Clark, modifying them to fit Nell. The skirt has box pleats at the waist, which were a more stylish method of attaching a skirt. It was a bit boring on its own so I added the pink ribbon bow and belt.

Next episode, look for the gift I created for my sister.

More Dolls

In all my spare time, I have made some more dolls. I never thought I would become so enthralled with dolls or their clothes, but 2020 was a year of sucki-ness, and I guess I actually did have some spare time. Anyway, I made a second doll from the Elizabeth Stewart Clark pattern.

This is Mernie. She has similar undergarments to Emalie, except I tried making a quilted petticoat. Since I had never even quilted before, this was quite a challenge for me. The pattern says to follow any quilting pattern. Well, I don’t know any quilting patterns, let alone an 1860s era pattern. So I made one up.

The pattern is really designed to hold the layers of fabric in place, I measured out the diamond pattern I wanted, adjusted, remeasured, then marked it out in chalk. I thought it would take forever. What I discovered was that quilting is kind of zen. I get in the zone and felt remarkably relaxed when I finished.

Mernie has a gathered front bodice with bishop sleeves. I like the gathered front, but let me just say that the cuffs of the bishop sleeve are insanely tiny. It was a challenge to finish them nicely – but one I felt up to completing.

I quite like Mernie. I feel I made improvements on my first attempt with this pattern.

Well hi there!

Yes, it’s been over a year since I wrote on this site. Finally I have something fun to write about – microblogging on Facebook just barely scratches the itch, but time has been a constraint too. So, here we go.

I never finished that “girls midcentury” dress project, because well, my girl has grown out of the chemise and drawers I made her, and is not really interested in history events any more (boo). She will go if I make her, but would prefer not to.

To fill the void, I have made another “child” to dress. Everyone, meet Emalie!

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Emalie is based on a mid nineteenth century doll style and the pattern is a digital download from the amazing Sewing Academy by Elizabeth Stewart Clark. You can get the pattern at her website and it is easy to follow. There is also a lady sized doll that I’ll probably get next. Emalie is about 13″ tall, made from all cotton and sewn 100% by hand.

Before I was able to make her dress, I had to start at the beginning and make her! She is made from cotton muslin and stuffed with cotton. I chose to paint her face and hair as well as her little Mary Jane style shoes. Her hair is a red brown and her eyes are green. I could have done a better job at stuffing her, but since she is my first, I will have to accept the flaws. I also think I might have put her arms on upside down. The pattern was a bit unclear exactly how to position them and she just holds her arms out wide for a hug. Otherwise, making the doll body was super easy! I used cotton balls to stuff her, and just mangled them up a little bit to make them more flexible.

Next, I made her undergarments. I used a very lightweight cotton for her chemise and a stiffer cotton for her drawers. I’m not thrilled about the tucks on her left leg of the drawers as they got a little messed up. The scale is so small that even a minor mistake can take the whole seam off kilter pretty quickly. I used the same stiffer cotton for her stays.

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Like how I painted a bun on the back of her head? :-)

The chemise, drawers and petticoat are edged with some vintage lace whitework that a friend of my mother’s gave to me. For the stays, I stitched in the appearance of boning channels but there aren’t actually any bones or cord in them. I didn’t want to get “too” carried away, and I knew I would be hand sewing the eyelets for the lacing. I think I spent more time on the stays than on the rest of the clothing! The stays are laced with a narrow cord. Luckily for me, I had made the actual child sized stays for my kiddo a while back so I understood the process. The pattern has mistakenly forgotten to include the construction notes on the stays. I will forgive Ms Clark because she is awesome in so many other areas!

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Here is her pretty petticoat with a wide 1/2″ tuck. If you ever want to fine tune or refine your hand sewing skill, a doll is a good way to do it. The pieces are small and there is almost instant gratification. I have found I can take very tiny stitches that look almost like machine stitching. It does cause some eye strain however.

Finally, I made her a pretty green dress. I selected this fabric to make a dress for Melody when she was a baby. She grew so fast, she outgrew the pattern I had! IMG_1259.jpeg

Here you can see the tiny piping at the neckline and waist. This is how dresses were made in the mid century, so I chose to do that here. The piping is made on the bias and I used the same cord that I used on the stays. It was the perfect size.

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Here’s the back of the dress and you can just see the green stitching where I made the tucks in the skirt. Fortunately the thread sort of disappears in the floral pattern of the fabric. The dress, drawers and petticoat all close with a tiny hook and thread bar.

So there you have it! Miss Emalie will be visiting with us at events from now on and I’ll probably make her a pinafore at some point. She just looks so pretty, I couldn’t wait to share!

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