In my haunting eBay and learning about vintage dolls, I found many references to kid-bodied dolls. These doll bodies were made with kid leather instead of cloth. Then one day, I saw this artist’s reproduction made with a kid body, for the right price, and I had to have her.
She came with nothing, completely naked, poor love, and has been standing there in her altogether for quite some time now. You can see how her arms and legs were jointed which is fascinating. I can’t imagine the care and skill that went into making her. She is a bit stout around the thighs and her feet are rather chunky, but we can work with that.
As I was working on Inez, just for kicks I decided to try some of the undergarments on Lydia, fully intending to stop there. As it turns out, the Inez garments were a smidge tight…I made notes in my book and went back to Inez. But Lydia was right there, watching me with a look that said “I am naked as a jaybird, lady!”
I resized the chemise pattern and whipped one together. This one has gathers and white work trim, btw. Back to Inez…!
I made the chemisette and sheer low body dress for Inez, honest. I have a sheer dress made of this same fabric and plan to have Inez wear it the same day I do at our upcoming event. But in the meantime, Lydia is going to wear it. It fits her body better than it does Inez for some reason, but it’s too long for Lydia. You will note that Lydia’s petticoat is a fancy embroidered one. I used the edge of an old dust ruffle for it. It just barely shows through the sheer.
The sleeves are a two piece Bishop sleeve, similar to the sleeve on my sheer dress. Lydia is a bit more endowed in the bust than Inez, which fills out the dress differently. Perhaps I need to make some little “bust pads” for Inez. This was actually a thing back in the day!
This is a temporary dress for Lydia – I always pictured her in light pink with roses. I have the fabric but I haven’t decided on the pattern yet. Come back again soon to find out if I’ve made it yet!
It’s as though by saying I wasn’t sure in my last post, I issued myself a challenge. As soon as I clicked the save button, I started thinking about how I would like Inez to look & what fabrics I would use.
Challenge accepted, I guess. 😀
I’m using the Cloth Lady pattern from Elizabeth Stewart Clark. I can’t say enough about the quality of her patterns. The quality of instruction and the breadth of options truly makes each person’s creation a one-of-a-kind customized for them.
While the instructions advise to paint the face and hair, inspired by Dottie, I decided to embroider her face and hair. The more I embroider, the better I get – even though my skill is still limited to chain stitching and simple things. I also recently purchased a McCall’s pattern for a cloth doll inspired by patterns in vintage ladies magazines, and they advise making the back of the hair in long straight stitches. I decided to put in a bun – since that’s a very common hair treatments for ladies – and also the long straight stitches. It was a ton of work but it looks lovely. I also could have made a bun from floss wrapped into a coil and tacked onto her head but I didn’t think about that until she was completed.
Putting her together is fairly quick once the face and hair is completed. I used natural cotton that came by the pound this time instead of the roughed up cotton balls and it’s much nicer to work with. To reach the top of her head I used a long chopstick. I stitched in her fingers, elbows and knees as well.
Once she was completed, Inez needed clothing! First came undergarments of course. I just love the chemise pattern in this book. It’s made on a double fold, so there’s no shoulder seam and is incredibly easy to complete. I pleated the centers on this one but you also have the option to gather the centers. I had two bits of trim that were exactly the right length for the sleeves. Perfect!
I have seen some fancy corsets with flossing on the front which is why I put these two red V-shapes on the front of the stays. I’m not sure if they serve any practical function IRL but here they designate which edge is the lower one.
And then I made this adorable wrapper. I have a wrapper made from this same fabric and yes, I do plan to take a picture with her when we are dressed the same. I forgot to take a picture of her petticoat – it’s crisp white cotton with two pleats and I starched it for fullness.
The pattern book includes multiple bodice and sleeve options, undergarments, outer wear, and more. I also made a low bodice dress in a sheer fabric with a chemisette, but I will show you that in the next post. I need to keep making things to fill up her trunk before the event in September! Come back again soon to see what I’ve completed next.
For historical costumers, a cage crinoline is a necessity, but you may ask yourself what exactly that is. Modern lingo for this garment is “hoop skirt” which describes a skirt with hoops in it, typically made with plastic bands and sometimes flounced. But for the original cast, a cage crinoline was a modernization of the crinoline petticoat. A crinoline petticoat was a starched cotton underskirt, often times many layers were worn to achieve the desired bell shape to a skirt. In 1856, however, the cage crinoline was patented and allowed women to achieve the shape without all the heavy skirts! They were made with steel bands – not heavy ones – that were strong enough to carry the weight of one or two petticoats on top, plus the skirt of the dress being worn.
And of course, where fashion for people goes, so goes fashion for dolls. There are remaining doll-sized cage crinolines in private collections, and they are of course on a smaller scale and not as robust as human sized garments. They can be used to fill out a skirt for a doll, or simply for the fun of putting a hoop skirt on your dolly.
Looking at how the originals were constructed, I realized this is a simple project I could make and share the instructions here. My doll is an 18″ Yield House Meg doll, but you can adjust these measurements to fit your dolls.
I found this trim that is 5/8″ wide, 95% cotton and reminds me of Petersham. It’s a nice woven, flat trim that will do nicely. I’m also using some aluminum jewelry wire here but you can use what is available to you. You want something that is malleable enough to bend into your shape but strong enough to hold the round hoop shape once completed. All told, I spent less than $10 on the supplies.
First you need to do some thinking and measuring. For a Yield House doll, the skirt is made from a 36” length of fabric. This results in a nicely full skirt similar to those worn in the 1860s. Consider how tall your doll is and how full her skirt is. You want the bottom hoop to be less than the full circumference of the outer skirt. I chose to make the bottom hoop 30” around. The top hoop should be wide enough to fit over the hips of your doll. Meg here needed 15” for decent clearance. For the middle bone I split the difference and made it 23”
Once you have your hoop circumferences, measure your wire to that length plus 2-3” overlap. Cut the wires and then twist the ends together.
Make all three hoops, then you can measure the tape to cover them exactly. Allow at least 1/2” on either end to turn the raw edges under. Beginning at the joint, fold the tape around the wire to encase it and then whipstitch it closed.
Once you get to the end, tuck the end under and whip all the way around the joint.
Repeat on the second and third hoop until all three are covered. The next step will be to find the quarters on each hoop and place a small mark. This will ensure the vertical tapes will hang straight. these marks will be covered, don’t worry.
Determine the drop of your hoop skirt next. This is the length from the waist to where you want the lowest bone. I chose a 9 1/2” drop so the lowest bone would be near the tops of the doll’s boots. This is about where my life size hoops hang as well. Consider you need 1/2” on either end to tuck under – so add this onto the drop measurement. This gave me a 10 1/2” vertical tapes. Cut 4 of these. Don’t forget to measure the waist of your doll and cut a waistband to that length plus 1”.
The hoops should be equally spaced on your vertical tapes. Don’t forget that you will attach them at the top and the bottom. I measured and pinned the placement for the first and second hoop. The hoops attach at 3”, 6 1/2”, and 10” (the bottom).
Beginning with the lowest hoop, wrap the tape around so the raw edge will be enclosed. Stitch that in place. Repeat at all four quarters.
Moving to the middle bone, fold the tape over the hoop so you can stitch through the vertical tape, through the hoop covering under that, then out the vertical tape. You aren’t stitching behind the hoop wire, just catching the tape wrapping it. Repeat on all quarters and then move on to the top hoop.
Once all the hoops are attached to the vertical tapes you are ready to attach the waistband. Turn the ends of the waistband under and stitch so the raw edges are inside. Remember, the waistband is the measure of your doll’s waist plus 1”.
Find the quarters of the waistband, place a small mark, then pin the tapes in place.
Stitch these in a square that will secure the tape and keep the raw edge inside. Once that has been done you can add a hook and eye or thread bar. You are done!
My doll happens to have a modesty petticoat under her new cage crinoline and then a fine starched cotton petticoat over it. I’m making a silk skirt for her next and this should do nicely to help it hold it’s shape.
All told I used less than the full amount of wire I purchased and less than a full spool of the white tape. Had I made the vertical tapes in white I might have used close to the full spool. I hope you found this little article helpful in demystifying the cage crinoline and will feel confident in trying one for yourself!
5/8” Petersham or similar woven cotton flat trim (don’t use twill tape as it will ravel)
2 1/2 yards white
1/2 yard red (to make in all white add this to the length above)
We took a trip up the road to visit the Huntington Library and Gardens. It was a lovely day, not cool, not too warm. The sun came out and there were plenty of photo opportunities. Melody indulged us again. Since she has been basically paparazzi’d since birth, she is used to us setting up pictures and taking numerous shots. :-) If you are looking for something to do with the kids or just to enjoy the beautiful surroundings, check the Huntington. It is gorgeous and economical.
I’ve been to a few more historical events recently, so I thought I’d put together some more vintage looking photos for your enjoyment. Ok, really I enjoy making them, so it was for my enjoyment. But you are always welcome to bask in my amazingness. You’re welcome. The full gallery of images is below.
Our young Logan Bingham is in this photo, taking his first shot in battle