Here Comes The Bride

When last we met, I was just about ready to make the final garment for Julia Tudor, our lovely bride in 1872. Last night, I took the last stitch. I placed a demure pin on her bodice and then draped her veil over her head.

Yes, the work table is a mess. I was so excited to be finished with this project that I could not wait to snap some pictures!

Unfortunately you cannot see the under sleeves that I made from silk organdy. They have a bishop sleeve (meaning gathered at the wrist) and then I added some gorgeous, lightweight French lace. The bouquet is made from paper flowers and is tied to her wrist with a rose pink silk ribbon. During the dress construction process, I added a seam across the part of her arm where an elbow should be, so the hand holding the bouquet is a bit easier to place.

Here you can better see the trims and the bar pin. It is a vintage pin that I bought some time ago and always thought would be perfect for a pretty doll. The sleeves of the bodice are wide pagoda sleeves which allow for movement of the hands. I’m not normally a lace and ruffles person, but I felt that for this wedding dress, the more lace the better. The pink silk satin ribbon I used on the skirt is seen here. I had to cut its width by half and then fray out the cut side. That was a project in itself, but very worth it!

And here we have the butterfly basque, something today we might call a peplum or bustle. It is attached to the bodice and features the pleats that allow it to stand out. I found an image of an extant gown from 1872 with this exact basque style with the lace trim. I had to emulate it!

Screenshot

The full dress is lined with silk organza, which isn’t the best lining material, but I’d gotten too far into the project by the time I realized it. So, onward and upward I suppose!

I’m now considering what doll will be next. Julia was entirely hand sewn, but as a 20″ doll I could have used my sewing machine except for the very small bits or delicate parts. I may consider making Amelia, the bloomer suit wearing progressive from the 1850s as I found an 1850’s modeled doll kit and she will be 18-20″ when completed. My hands might appreciate the break. I can also make that outfit from a less finicky fabric like wool or a wool/cotton blend. So stay tuned and I’ll catch you up again soon!

Second Thoughts

Do you ever have a lot of time to look at and consider the garments you have made for your treasured doll and begin to have second thoughts? I am in that mode right now.

Recently I have been in some required down-time so I’ve been off my sewing project for a couple weeks. As I’ve looked at the photos of Julia’s empire hoop and petticoat, I am just not thrilled with either one of them. I didn’t like the empire hoop when I made it for Caroline, although it went with all the other garments I made for her and somehow that compensated for the shortcomings.

Each time I look at Julia in her empire hoop, it just looks…..meh. Now, certainly, I am adapting this pattern which was designed for French Fashion Dolls with composite bodies, and not one with a cloth body. I had thought the height of Julia would allow for the empire hoop to hang nicely after being slightly sized up for her waist.

I was wrong.

I just do not love it.

And I think partly because the French Fashion Doll look is that of a young lady, not a girl doll, but not quite a lady doll, and certainly not one getting married. Having worn reproduction clothing from the era, I know how the many layers of fabric feel and drape on the body. I also know what wearing a wedding dress made me feel and I don’t think Julia is “feeling” like a queen yet. Even just wearing the undergarments to my wedding dress made me feel elevated and elegant.

The elliptical hoop which is needed for the 1872 dress silhouette looks like it’s going to be easy, but it might be a trick.

This is an extant elliptical hoop, image courtesy of LACMA. All those horizontal lines are wires/bones, and the various vertical tapes keep them in the desired shape. Now, since I am making this for a doll, I do not need to add 25 or so horizontal bones. I might do 10.

I found a lovely site called Tea In A Teacup that goes into a detailed recreation of this style of hoop and I believe I can adapt that to the 20″ doll I am working with here. Once I get that completed, I’ll be able to make a new petticoat.

This petticoat is lovely, no question, but it doesn’t feel “wedding” to me. It’s ok because it will go into the clothes closet I have been accumulating for dolls through my various projects and remakes. I suspect I will again make a ruffled petticoat, but the next one will have a slightly different shape. This one just feels small. I will adapt my learnings from this petticoat and utilize them for the next one, which will be more like the cut of the skirt of the wedding dress. I’d always heard that to make a petticoat, just use the skirt pattern in a lightweight cotton.

So there you have it, my second thoughts on this and plans to make it better. Once I have those two items completed, I can decide whether to make a corset cover or not. I kinda don’t want to, but at the same time, I’m nervous to start on the dress. :-) And that of course will have mock ups galore, I’m sure!

Pattern review: Simplicity 2569 Princess Dress

Melody asked me to make her a purple princess dress for her birthday, since we are having a princess themed birthday party for her upcoming 6th birthday. We looked at different pictures, I assessed just how crazy this might be, and went over to Joanne’s to buy fabric.

Princess dresses galore

Princess dresses galore

Melody selected view A, which is the blue one shown above. The pattern calls for many yards of tulle and satin, plus some tissue lame for the inset and sleeve puffs, and a little trim. Right out of the gate I ran into difficulties, because Joanne’s had two completely different lavenders – one a pink lavender and one a blue lavender. After much deliberation (no joke, easily 30 minutes) I decided on the blue lavender. It just has a more of a true lavender look to me, besides the fact that Melody already has a Rapunzel dress that is in a more pink lavender. Next, I was thinking of using an embellished chiffon in the collection in place of the top layer of tulle, but Joanne’s had exactly 1/2 yard too little.

Once that obstacle was overcome, the cutter discovered that they had exactly 1/2 yard too little of the coordinating lining fabric.

Say what, Joanne?

Say what, Joanne?

Anyway, I’m flexible, made some adjustments then went home to get this project started. I had selected an iridescent sheer instead of the tissue lame because they didn’t have a silver lame, only gold and it didn’t look good with the lavender. Let me just say, I am pleased with the results but I really regret that fabric. It was very slippery. I backed it with white satin, flatlined them and treated them as one piece. The pattern has you apply this triangle shaped piece to the bodice front in the first step, fine. But upon reading through the pattern, they have you glue the trim on at the end. That didn’t work for me because I know my daughter. That trim would be ripped off within the first day. Here’s my second regret about this dress. I picked out a really pretty sequined trim that matched the fabric perfectly; it was sold by the spool so I couldn’t open it in the store. It was elasticized! And the sequins are made from something stronger than titanium because I broke three – yes three – needles stitching it on. Now I understand that Simplicity wanted the trim to lay on top of the seam because after sewing, turning and finishing the bodice I can see that part of the trim tucks inside and it’s not a “perfect” look. However, if you use something that doesn’t have sequins, why in the world would you not sew it on? A regular ribbon or floral trim is going to be just fine stitched inside the seam and it will be a much more finished look. So there.

The rest of the dress was so easy! The puffed sleeve is a two-part sleeve, meaning you cut a small piece out of the tissue lame (or slippery annoying iridescent stuff, in my case) and apply it to a regular sleeve piece. The gathering of the fabric gives you the puff and it is really very easy. The skirt is two layers of tulle plus an underskirt. My only thought is that you really want to use fine tulle here because a rougher one might be a bit scratchy on the inside. Also, the waist is finished by turning the seams toward the bodice and top stitching. With the horrid titanium sequins I had going on, I did not top stitch that section.

I found the directions for the back opening a tiny bit confusing. They have you extend and press back 1/2″ of the tulle on the center back, but it is unclear as to exactly where it is to be placed. Looking back, I can see now it was supposed to have been folded back and placed along the zipper placement line, not the raw edge. This would allow for there to be a gap in the tulle allowing the zipper to pass through nicely and the stitching to be neat and tidy. While you won’t be able to find it on this dress, I had to do some fancy zipper foot work to make that spot work.

With those two minor criticisms, however, I’d say this is a nice pattern. It’s not a beginner pattern, but certainly not an expert level either.

But, what do you think? It fits well and I made it large so she can wear it for more than a minute. I haven’t made the hat.

Ta dah!

Ta dah!

I’m considering going back and making one of cotton for a certain little girl who’s birthday is in July.

UPDATE: I went back and made the hat. It took about 30 minutes from start to finish, and darn if I didn’t find some regular purple ric-rac that I could have used on the dress instead of the sequins! Anyway, here are my thoughts on the hat. The instructions have you apply fusible interfacing to the inside of the hat, and the pattern requirements call for lightweight fusible interfacing. If you want the hat to flop over like one of those funny men’s nightcaps from 200 years ago, go ahead and use the lightweight. Otherwise, use a heavyweight fusible interfacing. Second, they have you hand stitch the tulle to the point of the hat after it’s finished. I don’t know about you, but my hands do not fit into that tiny diameter point. I suggest either catching the tulle in the seam when you stitch that, or attaching the tulle to the fabric before the seam is sewn. Finally, my daughter just didn’t want to wear the hat for more than a couple minutes at a time so I didn’t bother with the elastic band for under the chin, but you could easily replace that with ribbon ties stitched into the hat at the time you make the narrow hem. Way more secure, less hand sewing, and actually realistic historically speaking. :-)